In order to achieve my concentration, I would start a work with a simple sketch. I would advance the sketch further by making pencil outlines more detailed. Once everything in the picture has been mapped out in more detail with pencil, I utilize ink or chalk depending on the subject in the picture I am starting to improve first. For instance, I would color a sky with chalk and a window pane or the paint on a car I would color with ink. Sometimes I would even use ink as a foundation for the color I wish to intensify with chalk. Once all the color chalk and ink have been laid down, I would use grayscale ink and or grayscale chalk to create the shadows of the figures, objects, and structures in the picture. This would be the last stage of completing a work for my concentration.
My work haven’t necessarily gotten more gothic, but they have developed in their imagery. The imagery of my work is sustained by its details, but most importantly, its narrative. My ability to tell the story of a person or place in a drawing has enhanced over the months through factors as simple as a character’s clothing, a character’s appearance, and objects in the environment as well as objects possessed by characters. My work has also progressed through my technique. I went from using just pencil to ink, and then, from just ink, to chalk, color ink and India ink. I was inspired to use India ink by the graphic novel artist and author, Frank Miller, who only uses the colors black and white in his drawings to narratively convey his sequences of art.
Z. MATHERS BOWMAN
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